The Glastonbury Thorn by Sarah Das Gupta

humble hawthorn bloom
ancient Christmas message
crown of thorns awaits

by Sarah Das Gupta

The Glastonbury Thorn is associated with the Grail Legend and the story of Joseph of Arimathea’s visit to Glastonbury. The legend tells of Joseph climbing Wearyall Hill and planting his staff in the ground where it rooted and grew into a thorn tree which blossomed twice, once at Christmas and once in spring. Written versions of the story did not emerge until the 13th century.  In 1520, a pamphlet by Richard Pynson was published, ‘The Life of Joseph of Arimathea’. In 1647, during the English Civil War, the tree was chopped down and burnt as a symbol of superstition. A tree was planted on the hill in 1951 and again in 2010 but both were vandalised. The same fate has met subsequent efforts.

Trees now exist in the nearby Churchyard of St John’s which were budded or grafted from previous specimens. If grown from the haw(fruit), they do not produce a ‘true’ sapling. A sprig in bud is traditionally presented to the reigning monarch at Christmas. The winter flowers are smaller than the summer blossom.

The hawthorn has long been associated with supernatural and magical powers. Particularly in Ireland, lone thorns are seen in the middle of fields, in hedgerows, near places of religious significance and farmers will not cut them down. They have been associated with fairies and the border between this world and the mysterious ‘other’.

Botanical name:Crataegus Monogyna biflora
Popular names:holy thorn, fairy thorn, hawberry, maythorn, mayflower
Family:Rosaceae
Origin:Native to temperate regions of the Northern Hemisphere- Europe, Asia, North Africa, North America 
Flowering:December and May
Habitat:Undemanding – rocky crevices, exposed sites

Further reading:

‘Glastonbury, Myth and Archaeology’, Philip Rahz, 2003, Tempus Publishing Ltd.

‘Glastonbury, Maker of Myths’, Frances Howard-Gordon, 1982, Gothic Image Publications Ltd.

Author bio:

Sarah Das Gupta is a young 81 year old. Loves writing haiku and most forms of poetry. Is learning to walk after an accident. Main outside interests include equine sports. Lives near Cambridge, UK. Read other sciku by Sarah here: ‘Redundant Ergot, ‘Redundant Vets’, ‘Dog’s Mercury’, ‘Bird’s Foot Trefoil’, and ‘Mistletoe’.

Mistletoe by Sarah Das Gupta

sweet Christmas kisses
beneath the white mistletoe
secret memories

By Sarah Das Gupta

Mistletoe is a semi-parasitic plant which lives off the nutrients and water from the host plant. Birds often spread the seeds from tree to tree, especially blackcaps and the mistle thrush which explains why clumps of mistletoe are found near the tops of trees.

In UK mistletoe is found most commonly in the south-west Midlands, particularly in Herefordshire. It is almost unseen in Scotland, Ireland and the rest of Wales. When picked, it will last for 2 weeks in a cool place. It would appear the plant has no connection with toes.  This seems to be a corruption of the old English ‘tan’, meaning ‘twig’.

There has been some decline in mistletoe as a result of the diminishing number of old orchards, the apple being the favourite host, together with poplar, lime and conifers.

Mistletoe played an important role in Nordic legend. Balder was killed by his blind brother, Hodr, who used the plant as a missile. The Druids also valued the plant for medicinal purposes. The association of the plant with Christmas is probably because the berries appear in December and the leaves remain green. There is some evidence that the Greek holiday, Kronia, was associated with mistletoe and kissing. Many different varieties of mistletoe exist with different coloured berries in other continents

Botanical name:Viscum album
Popular names:Mistletoe
Family:Santalaceae
Origin:Northern Europe
Flowering:February-April
Habitat:Branches of apple, conifer, hawthorn, lime, poplar etc. 

Further reading:

‘A Little Book About Mistletoe’, Jonathan Briggs, 2013, CreateSpace Independent Publishing Platform.

‘Mistletoe Winter’, Roy Dennis, 2021, Saraband.

‘Blood and Mistletoe, History of the Druids in Britain’, Ronald Hutton, 2011, Yale University Press.

‘Mistletoe’, Royal Horticultural Society.

Author bio:

Sarah Das Gupta is a young 81 year old. Loves writing haiku and most forms of poetry. Is learning to walk after an accident. Main outside interests include equine sports. Lives near Cambridge, UK. Read other sciku by Sarah here: ‘Redundant Ergot, ‘Redundant Vets’, ‘Dog’s Mercury’, ‘Bird’s Foot Trefoil’ and ‘The Glastonbury Thorn’.

Bird’s Foot Trefoil by Sarah Das Gupta

Trefoil, bright yellow
a field of eggs and bacon
or granny’s toenails

by Sarah Das Gupta

Bird’s foot trefoil is native to most of Europe. It was taken to North America to enrich the grass for cattle and to prevent erosion at the sides of roads. It has a number of  popular names derived from its yellow flowers, tinged with red or the claw shape of the seed pods. It provides feed for caterpillars, bees and butterflies.

‘Trefoil’ is derived from Old French and refers to the pattern of three leaves. For this reason, it was included in Midsummer wreathes, fixed to front doors, as a symbol of the Trinity. Strangely enough, in the Victorian language of flowers, the plant symbolised jealousy and revenge!

Medicinally it was used to treat mild depression and insomnia. Its anti-inflammatory properties were used to alleviate skin conditions. The seed is sold commercially to enrich grazing and forage for cattle. Recently gardeners have planted it to add to the revival of wild flower meadows.

Botanical name:Lotus corniculatus
Popular names:Bird’s-foot trefoil, eggs and bacon, granny’s toenails, baby’s slippers
Family:Fabaceae
Origin:Native to Europe, parts of Asia (taken to N.America)
Flowering:March to June
Habitat:Meadows, rocky-crevices, roadside (Favours sandy soil)

Further reading:

‘Collins Complete Guide to Wild Flowers’, Paul Sterry, 2006, HarperCollins Publishers.

‘Meadowland: The Private Life of an English Field’, John Lewis-Stempel, 2014, Transworld Publishers Ltd.

Articles from ‘The Woodland Trust‘ and ‘Nature’.

Author bio:

Sarah Das Gupta is a young 81 year old. Loves writing haiku and most forms of poetry. Is learning to walk after an accident. Main outside interests include equine sports. Lives near Cambridge, UK. Read other sciku by Sarah here: ‘Redundant Ergot, ‘Redundant Vets’ and ‘Dog’s Mercury’, ‘Mistletoe’ and ‘The Glastonbury Thorn’.

Dog’s Mercury by Sarah Das Gupta

Green dog’s mercury
your tiny secret flowers
toxic to canines

By Sarah Das Gupta

Originally a coloniser of ancient woodland, dog’s mercury is a useful ancient woodland indicator, determining areas of ancient woodland, even if there is no tree cover. Some ground-nesting birds like woodcock seem drawn to the plant. Speckled bush cricket nymphs feed on it, as do species of beetle, weevil and mollusc. It is a contributor to biodiversity in ancient woodland.

All parts of this plant are poisonous and can induce jaundice, diarrhoea, vomiting, even death. The epithet ‘dog’ in this context means ’lesser’ or ‘inferior’ to other plants of the family, as applied to other species such as ‘dog’ violet or ‘dog’ rose. The reference to ‘mercury’ probably refers to the god Mercury and the medicinal properties of the species.

From ancient times it has been used externally and its juice is emetic, ophthalmic and purgative. It was used particularly to treat warts and sores. If the leaves are thoroughly heated and dried, it is no longer toxic.

Botanical name:Mercurialis  perennis
Popular names: Dog’s mercury, false mercury, boggard posy, dog’s cole
Family: Euphorbiaceae
Origin:Native to most of Europe – almost excluding Ireland, Orkney and Shetland
Flowering: February to April
Habitat:Ancient woodland, broad-leaf woodland, hedgerows

Further reading:

‘Collins Complete Guide to Wild Flowers’, Paul Sterry, 2006, HarperCollins Publishers.

‘Meadowland: The Private Life of an English Field’, John Lewis-Stempel, 2014, Transworld Publishers Ltd.

Articles from ‘The Woodland Trust‘ and ‘Nature’.

Author bio:

Sarah Das Gupta is a young 81 year old. Loves writing haiku and most forms of poetry. Is learning to walk after an accident. Main outside interests include equine sports. Lives near Cambridge, UK. Read other sciku by Sarah here: ‘Redundant Ergot, ‘Redundant Vets’, ‘Bird’s Foot Trefoil’, ‘Mistletoe’ and ‘The Glastonbury Thorn’.

Redundant Vets by Sarah Das Gupta

A cat has nine lives
each belongs to an old witch
what need for a vet

by Sarah Das Gupta

“And therof hath come the prouerb as trew as common, that a Cat hath nine liues, that is to say, a witch may take on her a Cats body nine times.” William Baldwin, Beware the Cat.

Cats may have been worshipped in ancient Egypt but by the time of Shakespeare superstitions about cats were largely negative despite their usefulness at hunting rats and mice. In fact, in medieval France cats were burnt alive as a form of entertainment, with some believing that the ashes of burnt cats gave good luck.

In the medieval and early modern period, people believed witches had nine chances of turning into their feline familiars. If a witch turned into a cat for a ninth time then they would be unable to turn back. The first written mention of this comes from William Baldwin’s ‘Beware the Cat’. Written in 1553 and published in 1570, ‘Beware the Cat’ is thought by many to be the first novel ever published in English. The gap between its writing and publication is down to the book’s anti-Catholic sentiments at a time when the devoutly Catholic Mary I was on the English throne.

“Good king of cats, nothing but one of your nine lives.” From Romeo and Juliet, William Shakespeare.

The idea that witches could turn into cats is tied to the Cat-sìth of celtic mythology – a large black cat with a white spot on its chest that resides in the Scottish Highlands. The Cat-sìth was thought to be either a fairy or a witch, and is linked to the British folk tale ‘The King of the Cats’, references to which appear in both Baldwin’s ‘Beware the Cat’ and William Shakespeare’s ‘Romeo and Juliet’. Tales of the Cat-sìth may actually have been sightings of the Kellas cat, an interspecific fertile hybrid between the Scottish wildcat and the domestic cat.

“A cat has nine lives. For three he plays, for three he strays and for the last three he stays.” Old English proverb

The origins of the nine lives myth are hard to know accurately, but many cultures believe that cats have multiple lives: in some European countries cats have seven lives whilst in Arabic traditions the number is six. Regardless of the specific number, many believe that the myth of having multiple lives is down to the quick reactions and righting reflexes that enable cats to survive perilous situations.

Whilst impressive, a cat’s ability to survive falls from great heights is not infallible, and neither is our ability to study this achievement. A study by Whitney and Mehlhaff (1987) suggested that the chance of injury from falling increased with falling height… up to a point. A falling cat reaches a terminal velocity of ~60 mph after falling about five storeys. The researchers found that up to this point the numbers of injuries increased but after seven storeys the number of injuries deceased. The explanation given by Whitney and Mehlhaff was that over a short distance a cat tenses and arches its back to turn in mid-air, but over a longer fall the cat adopts a more relaxed body state leading to fewer injuries.

Whilst there’s truth to their findings in terms of how cats behave whilst falling and the different injury types prevalent from different heights as a result, the hypothesis that heights greater that seven storeys lead to fewer injuries isn’t supported by the methodology.  The study was based on cats that had been brought into a veterinary surgery for care but cats that had fallen and not survived were, for obvious reasons, not brought into the surgery and not included in the study’s fall survival and injury statistics. Indeed, a later study by Vnuk et al. (2004) found that falls from the seventh storey or higher were associated with more severe injuries.

Cats may not always need vets but they can certainly help preserve each of their many lives!

Further reading:

‘Beware the Cat’, William Baldwin, https://www.presscom.co.uk/halliwell/baldwin/baldwin_1584.html

‘Beware the Cat’, Wikipedia page, https://en.wikipedia.org/wiki/Beware_the_Cat

‘Cat-sìth’, Wikipedia page, https://en.wikipedia.org/wiki/Cat-s%C3%ACth

‘A cat that can never be tamed’, Scientific American, https://blogs.scientificamerican.com/running-ponies/a-cat-that-can-never-be-tamed/

‘High-rise syndrome in cats’, W. Whitney and C.J. Mehlhaff, 1987, https://europepmc.org/article/med/3692980

‘Feline high-rise syndrome: 119 cases (1998–2001)’, D. Vnuk, B. Pirkić, D. Matičić, B. Radišić, M. Stejskal, T. Babić, M. Kreszinger, and N. Lemo, 2004, https://doi.org/10.1016/j.jfms.2003.07.001

Author bio:

Sarah Das Gupta is a young 81 year old. Loves writing haiku and most forms of poetry. Is learning to walk after an accident. Main outside interests include equine sports. Lives near Cambridge, UK. Read other sciku by Sarah here: ‘Redundant Ergot, ‘Dog’s Mercury’ , ‘Bird’s Foot Trefoil’, ‘Mistletoe’ and ‘The Glastonbury Thorn’.

Progress by Dr Katy Roscoe

In mid-2021 The Sciku Project teamed up with the Literature and Science Hub at the University of Liverpool to run the ‘Research in Verse Poetry Competition’, open to staff and postgraduate research students across the university to submit poems about their research subject. The competition saw poems addressing all sorts of topics, ranging from gravity to slavery to life in the lab.

Second prize was won by Dr Katy Roscoe for her poem ‘Progress’:

Progress

The scratching and scraping of steel on rock,
In concert our muscles, they crunch and creak.
Slow inch by inch we chisel out the dock,
Ankles bound in irons, the hulls in teak.

Wiping sweat from my brow, I gaze afore:
I’m dazzled – bright sun, blue sky, white lime.
Ocean’s eternity returns ashore,
An excess of brightness ¬– like hope – can blind.

Night falls, men drive us into beached ships,
Dank air, sodden bodies, yellow fever.
Vessels for human cargo turned crypts,
If my body holds out, I will leave here.

Will I be able to retrieve the past,
Or will that monolith be all that lasts?

Background

My research is about convicts who quarried stone to build the naval dockyard at Bermuda, an Atlantic archipelago. Around 9,000 British and Irish men, many poor and starving, were transported there from 1842-63. Prisoners slept in decommissioned ships (hulks) which were dirty and crowded. Over 1200 men died there from effects of hard labour and yellow fever. Some went temporarily blind (opthamalia) from sunlight reflecting off limestone. “Retrieve the past” is a quote from a convict’s letter (1857). He hoped to be released under a “Ticket-of-Leave” in Australia, where he could earn an honest living, rather than return home.

Dr Katherine (Katy) Roscoe is a historical criminologist at the University of Liverpool with research interests centred on global mobilities, unfree labour and racial inequalities, with a particular focus on mid-nineteenth century crime and punishment in Britain and its former empire. You can connect with her on Twitter here: @KatyARoscoe